MM Kreem completes the mystical trio of Rajamouli-Prasad-Kreem to give a ‘seat shaking’ experience taking care of your ears & strings of your heart. Rajamouli gives you so many high-octane, adrenaline-pumping sequences that by the climax, you’d agree with my statement of ‘watching the MOST INDIAN CINEMA on-screen’. I’d pick RRR over Baahubali despite a weaker core story only because the amount of risks it takes is much higher, and the way its treatment arrests you for 3 hours is much polished.
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(Pic Credit: RRR Poster) RRR Movie Review: Direction, Music Olivia Morris, Alison Doody & Ray Stevenson are It’s like, this could’ve been done even without them but it’s good to have them. For some reason, throughout the film, Jr NTR’s act reminded me of how Aamir Khan would love to do such roles.Īlia Bhatt & Ajay Devgn are just about okay in their cameos.
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He shows how to display brute force in one scene & take a complete u-turn to be equally poignant in another. Jr NTR is the heart of Ram’s brains in the film. I would even dare to stretch it to call it even slightly better than Jon Snow’s ‘The Battle Of Bast*rds’ in Game Of Thrones, and you can judge me on this but watch it first.
Thanks to Rajamouli, Prasad, Ram now owns Indian cinema’s best ‘one vs many’ fight sequences. Ram Charan nails the mix of style & substance to look believable as a charming Indian in pre-independence British force. Even in the scenes which doesn’t have much drama to showcase action, Senthil just uses ultra-wide zoom-out aerial shots to bridge two scenes. Senthil Kumar’s cinematography just feels like a cosmic magical act being performed on stage. Prasad Ji has written the most lionized entry sequences for both Jr & Ram and has pushed the bar to a level no one would be able to touch but Rajamouli. Prasad ji’s story takes sweet time to construct the past & present of Bheem, Ram but it’s Rajamouli’s screenplay that adds ‘large’ in the film’s ‘larger than life’ treatment. No, it doesn’t feel like a 3-hour film, but its second half does come with speed-breakers. Vijayendra Prasad), which pinches at places due to its very ambitious runtime of 186 minutes. This also proves to be the classic Rajamouli case in which the screenplay eclipses everything even the story (by K. (Pic Credit: RRR Poster) RRR Movie Review: Script AnalysisĮvery commercial masala movie before this has somewhere deep down ‘aimed’ to be larger than life, but with his vision, SS Rajamouli has time and again achieved that feat and RRR is no different.
Bheem wants Mali, Ram wants revenge & you’d want to take a breath to process what happened in the last 3 hours of your life. Ram is that kind of officer, who works even on the weekend just to keep his boss happy, but internally even he wants only thing ‘revenge’ because why else would an Indian earn such a high rank in the British force? Though Ram is a frustrated employee of the company, he builds a play to earn their trust and for that, he does some pretty nasty things to Bheem. So, now you know the basic outline of the story, the kid that’s abducted from the poor Indian family is protected by Bheem (Jr NTR), as the film states there’s a herdsman for every group and the Brits choose the wrong one to mess with.īheem clashes with Ram (Ram Charan) and grows to be his BFF without knowing that he’s working for British Government. Before you read what the story is all about, trust me, it’ll sound like an ordinary ‘brutal Brits VS ingenious Indians’ story, in which a White family abducts a kid Mali because why not? They have always been doing this, and what always has been done is also taking revenge on them but trust me it hasn’t been as grand as this.
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